Obsession

 

This review may contain spoilers!

Obsession follows Bear, a mopey young guy who lives by himself and is holding a secret crush on his friend, Nikki. When his attempt to confess his feelings doesn't go to plan, Bear makes a wish on a One Wish Willow that Nikki would fall in love with him. The only problem? It works.

I was really impressed with what Obsession had to say for itself; it was an unhinged story that felt oddly relevant. This is an absolutely wild new take on supernatural horror. The idea of a wish becoming a point of horror is fascinating. The character of Bear is admittedly pretty tragic when we first meet him. He's not especially self-confident, he's living alone in his deceased grandma's house, and his cat dies within the opening minutes. Life isn't great for this young man, though it's not all bad either. Bear has this secretive crush on his friend, Nikki, who could not be less interested in Bear, from what we see. Bear never shows a lot of strength of character; he isn't honest with Nikki about the way he feels. Instead, he makes the choice to wish away her choice and for her to fall in love with him. Bear doesn't realise the wish would result in something real. How could he? But from here, we never really see the Nikki we know again for a very long time. Nikki's entire sense of self is ripped from her. She might look like the character we met at the start of the film, but her free will has gone, replaced with an all-encompassing sense of love for Bear. Bear is everything for her; her entire sense of being revolves around being with Bear and keeping Bear happy and in love. This film really explores the confines of toxic relationships and codependency, putting both leads through some significant extremes. However, the main driving force boils down to Bear still asking Nikki if being with him is really so bad; he still doesn't understand what his desire has stolen from Nikki. Even at the end, when Bear goes to kill himself to break the wish, he doesn't have the courage to free Nikki. He is regretful, but his sense of remorse comes from how the wish is affecting him. This film does a great job of showing how someone exerts their wants over another person, quashing that person's voice in the process. It's a modern horror that feels completely creative, exhilarating, and highly stressful to watch.

Curry Barker is a new, upcoming director that I think everyone needs to keep their eyes on after this. Obsession is a tightly framed, intimate piece of horror cinema. The camera arrests your gaze on faces, which is where all of the work is. It is absolutely gripping the way this film won't let you look away. The editing also sets a relatively steady pace, cutting from a steady to a frantic pace depending upon the nature of a scene. The score from this film is more droning than I tend to like, but it really cuts to the quick on those moments of hopelessness and captivity throughout. The soundtrack is something I thought was quite coy; the way indie tracks are used to make you think of a traditional romance feature early on is a great touch.

Michael Johnston, who played Bear, couldn't have been a better pick for the protagonist of this feature; Johnston is perpetually quite anxious and awkward, which cuts right to the cowardly manner of Bear. Cooper Tomlinson, who played Ian, is quite funny as Bear's best friend; Tomlinson really commands a scene when he's in it. Megan Lawless, who played Sarah, is a character that took some time to develop at first; but I found that Lawless and Johnston had some incredible chemistry, which resulted in some sincere tragedy. Haley Fitzgerald and Darin Toonder, who played Viola and Harry respectively, are some of the absolute funniest roles in the film; every time Bear went back to the Crystal store, I thought the employees were the best part of those scenes.

However, the best performance came from Inde Navarrette, who played Nikki. This is a very charismatic, cool character from the get-go. Navarrette defines Nikki as someone entirely confident, who has this really strong sense of her own identity and is a bit fearless. She is very creative and quite outspoken, willing to move on from something that stifles her to pursue her dreams. And then the wish happens, and Navarrette gets to go all out. What ensues is a full-tilt descent into madness. Navarrette has Nikki as a lying, gushing, crying and frantic mess - presenting a person who has completely shattered apart and is reconstituting themselves into a new person that can fit Bear's wish. She has moments where she plays to a 'dream girlfriend' archetype that suddenly tilts towards something almost demonic or possessed. Those moments of complete unnatural being, of otherness, are where Navarrette really shines. This character just loses pieces of herself more and more. It is a tragic performance, only made worse by those last few moments heading into the credits. Navarrette has given a horror film royalty-level performance that should be remembered forever.

Obsession is an interesting piece of indie horror that deserves every piece of praise it gets. It does, however, do a lot of what many modern indie horrors do. Which is to say, it really does try to do a lot of perturbing things for the sake of doing some really unsettling stuff. There are moments in this film, like the shrine to the dead cat or the cat being cooked into the sandwich, that are there to freak the audience out, but it's not super clear what relevance they have to telling the story this film is telling. I also thought the actual way we stumble into the One Wish Willow as a plot device is a bit simple in its construction. Our main character vaguely knows Nikki likes crystals, goes to buy her jewellery and then finds this vintage product that grants wishes. It's really easy, a bit funny, but not the best set-up for the whole thing this film hinges upon.

A horror film that is well and truly worth being obsessed with. I would give Obsession a 7.5/10.